<![CDATA[Karen Golland - This is for you: development]]>Sat, 25 Feb 2023 23:18:18 -0800Weebly<![CDATA[This is for you - 13 May to 26 June 2016]]>Mon, 01 Aug 2016 09:56:35 GMThttps://www.karengolland.com/this-is-for-you-development/this-is-for-you-13-may-to-26-june-2016
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]]><![CDATA[Ian Fairweather]]>Tue, 03 May 2016 22:46:47 GMThttps://www.karengolland.com/this-is-for-you-development/ian-fairweather"I like a mess. . . I like to make a mess, then make something out of it. . . work something out of it when the mess is your own and you make something out of it you end up with something totally of you." 

http://bit.ly/1QOA1Cg​ 
]]><![CDATA[The dress]]>Fri, 04 Mar 2016 04:30:01 GMThttps://www.karengolland.com/this-is-for-you-development/the-dress
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]]><![CDATA[Cutting pieces]]>Thu, 03 Mar 2016 09:36:32 GMThttps://www.karengolland.com/this-is-for-you-development/cutting-pieces
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]]><![CDATA[Cleaning pieces]]>Wed, 02 Mar 2016 10:10:57 GMThttps://www.karengolland.com/this-is-for-you-development/cleaning-pieces
]]><![CDATA[Cutting boards]]>Sun, 27 Dec 2015 21:20:20 GMThttps://www.karengolland.com/this-is-for-you-development/cutting-boardsEvery now and then one of the boards has a shape scratched into its surface to guide me. It's like a gentle nod, a quiet "like this my love" from the other side.
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]]><![CDATA[sixty four pieces arranged six different ways]]>Tue, 24 Jun 2014 08:18:02 GMThttps://www.karengolland.com/this-is-for-you-development/a-piece-at-a-timeThese are the first magnetic pieces used to propose the reimagined work to Bathurst Regional Art Gallery in 2014.
]]><![CDATA[The boards]]>Wed, 30 Apr 2014 19:10:11 GMThttps://www.karengolland.com/this-is-for-you-development/the-boards
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]]><![CDATA[The pieces]]>Mon, 28 Apr 2014 20:02:47 GMThttps://www.karengolland.com/this-is-for-you-development/documenting-boxes-of-pieces
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]]><![CDATA[Between Choice and Chance]]>Wed, 19 Jul 2006 08:19:06 GMThttps://www.karengolland.com/this-is-for-you-development/between-choice-and-chanceSteve Kirby: Extract from funding application to Visual Arts Board in 2006.
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At present it is intended that the work will run continuously around the walls of a room known as the Ceramic Gallery. How such a work (approximately 1.6m x 22.5m) may be read by the viewer, when it offers no apparent narrative or even internal design structure is a question analogous to that raised by sequential artists at present exploring, in a digital environment, the relation between spatial freedom and finite human perceptions. To enable me to fully explore this question I have reconstructed the Ceramic Gallery (7m x 5m) inside my own studio. Like the Seleni of Alcibiades this shining interior a room within a room will be contained in the plainest of exteriors – an old mill. Visitors will be welcome to visit this space as the work develops. This extended work will follow the rule underlying the works shown. Only elements discovered within and cut from my own paintings may be included. This rule promotes diverse acts of painting and demotes the commodity value of the resulting works. Often these acts of painting employ domestic appliances and power tools to create seductive optical effects, but these are never regarded as ends in themselves, but as parts of a greater whole which invites viewers to consider the multiplicity of the phenomenal world and our own multidimensional transhistorical human nature.]]>